Showing posts with label Womenswear. Show all posts
Showing posts with label Womenswear. Show all posts

Wednesday, 9 December 2009

Istanbul Project - Final Collection


Figures drawn in Lectra Kaledo Style. Prints Inserted from Lectra Kaledo Print. Background created in Adobe Photoshop. Presentation completed in Adobe Illustrator.

Istanbul Project - Garment Designs

Designs drawn using Lectra Kaledo Style on the computer.

Istanbul Project - Generating Print Designs





Patterns generated using Lectra Kaledo Print on the computer. I have presented 3 colourways for each design.

Istanbul Project - Colour Palette

Brief: to design a womenswear collection using Lectra Kaledo style and Print. For my project I chose the theme of Istanbul, focusing on architecture, and the retailer Zara, who often look to ethnic influences for their collections.


Final Collection - Converge for Comme des Garcons A/W 2010/2011 Flat Boards

Technical Flat Boards

Hand drawn flats presented with colour tabs and descriptions in Adobe Photoshop.

Final Collection - Converge for Comme des Garcons A/W 2010/2011



Hand drawn figures. Colour applied in Adobe Photoshop.

A/W 2010/2011 Trend Research - WGSN





Trend Images from WGSN.com, Catwalk images gfrom vogue.co.uk.



Saturday, 28 November 2009

Reiss Autumn/Winter 09/10 - Womenswear

Design Project: University of Leeds
Sample of work produced

Trend Research: 'Scarytale' and the city of York.

Trend images from Trendstop.com, collection images from style.com and Vogue.co.uk, York images are my own photographs.

Scarytale Analysis:

Scarytale presents us with a distorted vision of a child’s fairytale. It is warped, almost to the point of being grotesque but this strangeness inspires shadowy glamour and an ethereal sense of luxury. There is a focus on black magic which suggests trickery and deception; things are not always what they seem so expect the unexpected. Pigs heads atop female bodies and disfigured dolls illustrate the sinister and distorted aesthetic which dominates the trend, but from this twisted fairytale a quirky, unspoken beauty can be drawn. Illustrations of Alice in Wonderland introduce innocence and emphasise the playfulness of this twisted world and its preoccupation with the bizarre. Church graveyards, ghostly woods and ominous birds show the influence of the gothic on this trend. The sense of horror and danger enriches the trend, but instead of playing victim, the woman herself is to be feared. The classic damsel in distress stereotype is abandoned and the woman is an alluring siren empowered within this dark fantasy.
The colour palette includes mystifying blues which have an alien quality. Ghostly tones of grey and green dominate much of the palette. They give a vaporous effect in lightweight translucent fabrics creating an other-worldliness, perhaps suggesting the aura of the wearer. Warmer colours such as rust and ginger add depth. Plum and deep red imbue the type of glamour associated with vampires. These gothic hues come together to provide a dramatic selection that is both moody and mysterious.
The element of distortion central to this trend translates to silhouettes of unusual proportions, which challenge expectations. Voluminous skirts achieved through bubble hems, layering and tiered styles create a dramatic impact which is fitting. Shoulders can be accentuated for an imposing, otherworldly look with sleeves which are manipulated with gathers and padding, or reshaped to take on a squared, boxy structure which looks as if it binds the wearer. Peculiar proportions can also be achieved through very gothic, slim-line, floor length skirts. These elongate the body shape to the extreme and suggest a playful reference to Morticia Adams.
I have included a corresponding trend from Textile View Magazine alongside the Scarytale trend from trendstop.com. It is entitled ‘Dark Romance’, and the name alone echoes the concepts found within Scarytale. Dark Romance has the same focus on the gothic look; black dominates and textures such as lace, ‘spider web knits’ and jacquards are suggested which add rich detail but also suggest mystery in their subtlety.
Scarytale is for a woman who embraces individuality and is not afraid to go against the norm. The bizarre aesthetic this trend strives towards belongs to a playful character who is also sophisticated enough for the luxe glamour it inspires. I therefore think Scarytale is well suited to Reiss and its target market. Its slick and sleek identity would take on this gothic twist well for a contemporary and exciting range. The sumptuousness of this mystifying and bizarre inspiration suggests female empowerment which suits the confident and strong woman Reiss caters to.

Design work: Focus on women's coats and jackets.

Monsoon Spring/Summer 09

Research and Design Project: University of Leeds
Sample of work completed.

Brand and Shop Research: Monsoon
Images include own photographs and promotional material from http://www.monsoon.co.uk/

Trend Research: Transform Spring/Summer 09Trend from WGSN.com, Catwalk images collected from Vogue.co.uk.

Design work:

Tuesday, 24 November 2009

Reiss A/W 2009/2010 Architectural Allure

Knitwear Moodboard and Fabric Board.


Collaboration with Lauren Price and Emma Powell.

Monday, 9 November 2009

Reiss A/W 2009/2010 Eerie Trepidation

Womenswear Moodboard and Fabric Board


Collaboration with Lauren Price and Emma Powell .